Apparently when he was 15, he went back to Germany with his family and it was at that time or shortly after that he began school in Munich. During this period he apparently went to Italy and/or the Mediterranean to study church decorations. At some point he returned to the US.
He had a relationship with the architect John T. Comes who was author of the 1920 book “Catholic Art and Architecture”.This seems to be where he got many of his Church commissions. Comes appears to have the idea to not add any more vanishing points to the churches he designed. So he didn’t want decorations that had tromp l’oiel elements. Leiftuchters mural work is very flat, byzantine in character. Whether this is why Lieftuchter generally used flat designs, or it is why Comes chose him is uncertain.
I have two documented assistants. When he painted the murals in Pittsburgh’s St. Agnes’ church he was assisted by two female art students from Pittsburgh, both about 20 years old. Their names were Helen Hartz and Ann Murray.
He was active with mosaics either as a designer or maker and has a documented association with the Ravenna Mosaic Company, St. Louis, MO.
He spent time or lived in Cincinnati, Chicago, Munich, Toledo, Pittsburgh, New York City, Miami and Mexico City.
Holy Rosary Cathedral, Toledo, Ohio
Unless noted, I believe these are whole church decorations painted in Keim paint.
Cathedral of the Madeleine, Salt Lake city, Utah
St. Aloysius Church, Bowling Green, Ohio
Holy Rosary Cathedral,Toledo, Ohio
St. Joseph’s Cathedral – Wheeling, West Virginia
St. Agnes’ Church Apse in Cleveland, Ohio, (destroyed By fire 1975)
St. Agnes Church, Carlow University, Pittsburgh, PA.
St. Columbia, Johnston, PA. (oil on canvas mural)
Possibly also the Toledo Central Catholic High School Chapel
Saint Vincent De Paul, Buffalo, NY. (1924-1926) Mural and Mosaics
There may also be some over-painted murals in Rochester, NY in churches that were designed by Architect John Comes or his surviving partners, Thomas, Perry & McMullen.
St. Joseph’s Cathedral Wheeling W. Virginia
I spent an enormous amount of time trying to find information about Lieftuchter. And I feel with very limited success. Biographical information is thin and there is a lot of uncertain information in this biography. Almost everything reliable I found is here or linked to from here. At the bottom of this post are some newspaper clipping with interviews. Any one who can supply more information that can be added would be greatly appreciated.
In a letter dated April 7, 1972, in response to a query from Monsignor William H. Mc Dougall, (about the Cathedral of the Madeliene) then the cathedral’s pastor, about how the murals were painted, Lieftuchter wrote, “I painted five or six cathedrals in the United States. I was about 30 years old when I worked on the Cathedral of the Madeleine in Salt Lake City. It was during World War I, I think about midway through the war. I stayed in Salt Lake City about a year and have never returned since. I think, as I recall, that I was paid about $7,000 for my work in the cathedral.”
Thanks to Kevin Hammer and his blog on Ohio regional liturgical art “CatholicToledo” and the Carnegie Clipping Library in Pittsburgh who helped me find much of this information.
St. Aloysious , Bowling Green, Ohio, Historic Picture
St, Agnes, Cleveland, Ohio. Historic photo – 2
Salt Lake City tribune interview with Lieftuchter, 9/72
Lieftuchter Press Clippings: The Pittsburgh Press,January 6, 1931, and from The Pittsburgh Sun-Telegraph, February 23, 1931.
St. Joseph’s Cathedral Wheeling W. Virginia – 2
s, Cincinnati, historic photo
Lieftuchter Draft Card, Age 63 (1945?)
Matriculation page from the Akademie der Bildende Kunst, Munich, 1901